Winter Workshops

The Rajasthani Bhasha Academy’s Winter Workshop is an intensive, field-based program designed to engage participants with primary sources through archival study, hands-on documentation, and site-based exploration. It combines textual analysis, visual documentation, and performance-based interpretation, creating a space for interdisciplinary engagement. 

The 2024 edition of the Winter Workshops took place in Churu, Rajasthan.

The Making of Thali Shekhawati

14-16 December, 2024 | Churu, Rajasthan

‘The Making of Thali-Shekhawati: A Fracture Zone,’ led by Professor Tyler Williams from the University of Chicago, focused on Shekhawati’s political and manuscript history. Participants engaged with merchant accounts, royal records, and poetic texts such as Kesari Singh Gun Raso, while also studying inscriptions at Tiknet Chhatri and verses by Sundardas and Dadu Dayal. The workshop traced Shekhawati’s shifting identities, shaped by its mercantile networks, religious traditions, and the movement of communities across the Thar desert. 

The workshop examined the materiality of writing traditions in Shekhawati, from inscriptions carved into cenotaphs to handwritten bahi khatas—merchant records kept in intricate shorthand. Discussions on the Mudiya script and archival practices provided insights into the ways knowledge was recorded and circulated across trade routes. Readings of devotional poetry at Baid Haveli contextualized the region’s intellectual traditions within larger philosophical currents, linking Shekhawati’s literary and commercial histories to the broader world of early modern India.

 

A Frescoed Land

17-19 December, 2024 | Churu, Rajasthan

‘The Visual Archives of Wall Paintings,’ conducted in collaboration with the Jindal School of Journalism and Communication, was led by Professor Saumya Agarwal and lens-based artist Sundeep Bali. The workshop examined Shekhawati’s painted havelis, tracing their connection to mobility, identity, and early visual cultures. Participants documented frescoes at historic sites integrating photographic methodologies with heritage preservation. The workshop focused on the intersection of place-making, the cultural and political history of ‘Shekhawati’, and the vibrant wall paintings that define the region.

The workshop delved into the analysis of hybridity and lived realities within these architectural spaces, emphasizing the critical role of visual documentation in preserving heritage and fostering scholarly discourse on cultural continuity and transformation. Through discussions on artistic techniques, materiality, and the role of patrons, the workshop explored how wall paintings function as both aesthetic objects and historical records.

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